DNEG’s VFX
Double Negative worked closely with Emmerich and VFX Supervisor Karen Goulekas over a two year schedule, which included a year of development, to help the director realise his vision of this fictional, ancient world. The main focus of work for the Double Negative team, led by VFX Producer, Stuart McAra and Digital Supervisor Jesper Kjolsrud, was a menacing CG sabre-toothed tiger, hair-raising 12′ tall CG ‘terror birds’ and far-reaching digital environments, which included great pyramids that reach into the skies.