DNEG’s Work
Double Negative were delighted when VFX Supervisor, Peter Chiang, approached them to create the magical visual effects required to help tell the tale. Double Negative’s involvement in the film began early on when Digital Supervisor, Mattias Lindahl headed up a pre-visualisation team at Pinewood Studios.
The main areas of work for Double Negative included the extensive photo realistic environments, the Sky Vessel flown by Captain Shakespeare, sky replacements, greeenscreens and the magic effects used to differentiate between the different witches. The most difficult sequence made heavy use of the main areas of visual effects, namely the vessel and the environments.
