We were honoured to rejoin Director Denis Villeneuve as lead VFX partner for his visionary sequel 'Dune: Part Two', and proud to be awarded the Academy Award for ‘Visual Effects’, BAFTA Film Award for 'Special Visual Effects', Critics Choice Award for 'Best Visual Effects', four Visual Effects Society Awards, a Hollywood Creative Alliance award, and a Saturn Award for our work on the movie.

We had a blast bringing to life the TV adaptation of legendary video game ‘The Last of Us’ for HBO - and our team's work was recognised with a Primetime Creative Arts Emmy Award for 'Outstanding Special Visual Effects In A Season Or A Movie', three VES Awards - two for their work on 'The Last of Us' and one for Netflix's 'Nyad', and two Indian National Film Awards for ‘Brahmastra Part One: Shiva’. We also launched DNEG IXP (Immersive Experience) and DNEG 360 (Development, Visualization, Virtual Production & Content Creation), and celebrated a significant investment of $200 million in the DNEG Group by UASG, accelerating our strategy of innovation and diversification.

We were thrilled to be awarded with the Academy Award for ‘Best VFX’ and BAFTA Award for ‘Best Special Visual Effects’ for ‘Dune, our second collaboration with Director Denis Velleneuve. And DNEG Sydney, our tenth global studio, opened its doors - located in Pyrmont near Darling Harbour in Sydney.

Our VFX work on 'Tenet', our seventh collaboration with Director Christopher Nolan, was recognised with the Academy Award for 'Best VFX' and the BAFTA Award for 'Best Special Visual Effects'. We continued to expand our team in India with the opening of DNEG Bangalore, and in Canada with DNEG Toronto, and we celebrated an investment of $250 million from Novator Capital Advisors.

We were over the moon to collaborate with Director Damien Chazelle on 'First Man' and to bring home the Academy Award for 'Best VFX' and a VES Award for 'Outstanding Supporting Visual Effects in a Photoreal Feature'. And our Episodic team was honoured with a Primetime Creative Arts Emmy Award for 'Chernobyl', alongside two VES Awards: for 'Outstanding Special Visual Effects in a Supporting Role for ‘Chernobyl’ and for ‘Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project’ for ‘Altered Carbon'.

Our first collaboration with Director Dennis Villeneuve on 'Blade Runner 2049' brought us an Academy Award for ‘Best VFX’, a BAFTA Award for ’Best Special Visual Effects’, and a VES Award for ‘Outstanding Created Environment in a Photoreal Feature’. Our VFX team on Christopher Nolan’s ‘Dunkirk’ also scooped a VES for 'Outstanding Supporting Visual Effects in a Photoreal Feature'. Our Episodic team's outstanding work was also recognised with a BAFTA TV Craft Award for 'Special, Visual and Graphic Effects' for 'Black Mirror: Season 4 - Metalhead'. And at the end of the year we celebrated the opening of our second Canadian studio in Montreal.

Our work on Christopher Nolan's 'Interstellar' was recognised with the Academy Award for ‘Best VFX’, the BAFTA Award for ‘Best Special Visual Effects’, and the VES Award for ‘Outstanding Created Environment’.

In July 2014 Prime Focus World merged with Double Negative to create DNEG. We also launched our Feature Animation division that same year, and opened the doors of DNEG Vancouver, our first Canadian studio.