Craig Mazin, Jane Featherstone, Carolyn Strauss
HBO, Sky Television
DNEG VFX Supervisor
DNEG VFX Producer
6 May 2019
‘Chernobyl’, a five-part miniseries co-production from HBO and Sky, dramatizes the story of the 1986 nuclear accident, one of the worst man-made catastrophes in history — and of the sacrifices made to save Europe from unimaginable disaster. On April 26, 1986, the Chernobyl Nuclear Power Plant in Ukraine, Soviet Union suffered a massive explosion that released radioactive material across Belarus, Russia and Ukraine and as far as Scandinavia and western Europe.
‘Chernobyl’ was never about telling the story through gratuitous, scary visuals with the intention to shock. Instead it was to be completely story driven where VFX would provide support for the drama in every shot. Any VFX had to feel and look authentic and ultimately – plausible. While many VFX shots had live action plate integration, there were also many full CG shots which also had to seamlessly match the tone, style and feel of the surrounding drama shots.
Overall the team delivered about 550 shots for the series, designing the reactor #4 building inside and out, developing complex destruction and smoke simulations, creating CG vehicles like cars and helicopters, animating crowd, etc.
'Chernobyl, first-look review: Sky's new drama about the power plant explosion is mesmerising – and utterly horrifying.'THE TELEGRAPH
Before and Afters: Breaking Down That Intense Handheld Rooftop Liquidator Shot In ‘Chernobyl’
FX Guide: Emmys 2019: Chernobyl